It concerns one Howard W Campbell Jr., who calls himself an American by birth, a Nazi by reputation, and a. The meaningfulness of moral reasoning, indeed the possibility of morality in a world that demands duplicity, is its theme. Kurt Vonnegut’s Mother Night, first published in 1961, is a morally troubling but also morally troubled book.
Ofelia meets several strange and magical creatures who become central to her story, leading her through the trials of the old labyrinth garden. Amidst this setting, the narrative of the film intertwines the real world with a mythical world centered on an overgrown abandoned labyrinth and a mysterious faun creature, with whom the main character, Ofelia (Ivana Baquero), interacts. The Resistance has fled into the forests, but are looking to bounce back at any opportunity. Perfect for acing essays, tests, and quizzes, as The story takes place in Spain, a few years after The Civil War, which ended in 1939 with General Franco emerging victorious and taking over as Dictator of Spain. Learn exactly what happened in this chapter, scene, or section of The Curious Incident of the Dog in the Night-time and what it means.
The faun tells Ofelia that opening the portal to the underworld requires the blood of an innocent. The faun returns to Ofelia and tells her to bring her baby brother into the labyrinth. However, she frees herself, stabs Vidal, and rejoins the rebels. Ofelia is locked in her bedroom, and Mercedes is taken to be tortured.
Mother Night Summary Sparknotes Movie Ends With
The movie ends with drops of Ofelia's blood falling down the center of the spiral stone staircase onto an altar. One of the rebels kills Vidal. Knowing that he will be killed, he hands the baby to Mercedes. Vidal takes the baby from her arms and fatally shoots Ofelia then, when he reaches the labyrinth's entrance, he is surrounded by the rebels who have taken over the outpost. Vidal finds Ofelia talking to someone (the faun) whom Vidal cannot see. Ofelia refuses to harm her brother for further disobeying his orders, the faun refuses to help her.
They could not have had a more perfect day for a garden-party if they had ordered it. And after all the weather was ideal. The king of the underworld says that she passed the final test, which was to choose to spill her own blood rather than that of her baby half-brother.The Garden Party.
Ten-year-old Ofelia (Ivana Baquero), a quiet lover of books and fairy tales, is travelling with her mother, Carmen (Ariadna Gil), to the rural village of Navarra where Carmen's new husband, Captain Vidal (Sergi López), an officer of Franco's army, is stationed with his men at an old mill. The Spanish Civil War has been over for five years but small groups of guerrilla rebels continue to fight against the new fascist dictatorship led by Francisco Franco. Her father, the King, remained hopeful that his daughter would return to her kingdom someday, in another place and time.
She is found by Vidal's housekeeper, Mercedes (Maribel Verdú), who explains that the structure is an ancient labyrinth that Ofelia should not enter, lest she get lost. Ofelia wanders off to the nearby woods where she discovers a strange stone structure. He commissioned a local doctor, Ferreiro (Alex Angulo) to stay at the mill and tend to Carmen. When Carmen and Ofelia arrive at the mill, stern Vidal shows little concern for his new stepdaughter but takes great care to ensure that Carmen's pregnancy progresses smoothly. Ofelia's father, a tailor, had died during the war.
That night, Ofelia sleeps beside her mother. Vidal realizes this after the men are dead, but blames his soldiers for the error, barking that they should "learn to search these assholes properly" before consulting him. Vidal's tyrannical temper is revealed that night when he brutally murders two peasants whom his men mistook for rebel fighters, but who were merely farmers hunting for rabbits. It becomes increasingly obvious that Vidal only values Carmen as a vessel for his child, which he is certain will be a son to carry on his name. Ferreiro speaks with Vidal in his study, explaining that Carmen should not have traveled in such a late stage of an already difficult pregnancy. Ofelia and Carmen settle into their bedroom.
The first task, he explains, is to retrieve a key from the stomach of a giant toad that lives beneath a fig tree in the forest. The faun explains that he had been sent by the King to bring her home, but that she must first prove herself worthy of returning.The faun presents Ofelia with a magic book that will detail three tasks which she must complete by the next full moon. He explains to Ofelia that she is really the long-lost Princess Moanna from the underground realm. When Ofelia reaches the underground center of the maze,she is greeted by a faun, (Doug Jones, voiced by Pablo Adán), a supernatural creature that is half-man, half-goat. It leads her outside to the stone labyrinth. After Ofelia shows the insect what she considers a fairy to look like in a book, the insect transforms into a tiny humanoid fairy, and gestures to Ofelia to follow it.
Since Vidal had decided to starve out the rebels by keeping all available food and medicine locked up in the mill's storeroom, Mercedes and Ferreiro must smuggle the goods silently in the dead of night. Ferreiro are risking their lives by secretly aiding the group of rebels hiding in the woods, one of whom is Mercedes' brother Pedro (Roger Casamajor). Meanwhile, Mercedes and Dr. He also tells Ofelia to look for a moon-shaped birthmark on her shoulder that identifies her as the princess.
She manages to feed the magic stones to the enormous toad, which vomits out its insides. She finds the fig tree and crawls into the cavern below. Shortly before the dinner party, wearing her new clothes, Ofelia escapes to the woods. As Ofelia prepares to take her bath, she examines the magic book, which informs her that the task must take place that day. Ofelia accepts the gifts with lukewarm gratitude, as she is distracted by the thought of the first task. Captain Vidal is hosting a banquet at the mill for some local political figureheads.Carmen expects Ofelia to attend, and presents her with a beautiful new dress and shoes for the occasion.
The town mayor (Juanjo Cucalón) recalls being in the army with Vidal's father, who, upon his death, smashed his watch on a rock to ensure that his son would know the exact time of his demise. He vows not to rest until every rebel is shot dead. During the banquet, Vidal's rigid views become apparent. Carmen sends her to bed without supper. She returns to the house, her new dress ruined.
Vidal orders the doctor to save his son, even at the expense of his wife's life. Ferreiro stabilizes Carmen with a powerful sedative and informs Vidal that the outlook for his wife is grim: she must remain on strict bed rest. A thud is heard in the bedroom and Ofelia finds her mother collapsed on the floor, hemorrhaging from her uterus and begging for help. Checking on the magic book again while taking a bath, blood-red ink begins to spread over the page in the shape of a womb. Despite her punishment from her mother, Ofelia is pleased with her success at completing the first task.
That night, Ofelia is again visited in her room wall by the Faun who gives her instructions for her second task, which involves invading the lair of a feared monster and retrieving a golden dagger. Carmen's condition quickly improves, and Ofelia is now free to begin her next task. Ofelia obeys, feeding the the humanoid mandrake under Carmen's bed with her blood from her finger.
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